I develop these photographs in the college and really enjoy this process as well. The dark room holds no fear for me thanks to Emily Robards who held my hand through the developing of several films until I knew what I was doing. And thanks to the hairy drying cabinet most of the negatives get little hairs and specks on them which replicates amazingly well the atmosphere in the factory which was always filled with cotton and polyester fibres flying about the place. This is called, not unsurprisingly, 'fly'.
These films are 'push processed'. The ISO is set much higher than the ISO rating of the film itself so the film is deliberately underexposed. This is then compensated for during the developing of the film. It helps in the low light levels of the factory and also gives these really evocative, high contrast, grainy results.
These cameras are available on Ebay for ridiculously low prices. That makes me sad for some reason.
chairs in the meeting room |
reception |
pre-spinning |
cctv (still active) in the reception |
reception entrance |
employee entrance and exit - the most unwelcome and welcome sight |
heavy twisting |
filament quality lab |
spinning quality lab |
entrance gate |
from core yarn twisting into pre-spinning |
no caption required |
meeting room |
employee car park |
left behind |
view through reception window |
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