We bisque fired the pieces then glazed them with resist and sacrifical glaze for naked raku
The black areas have been left unglazed, leading to smoke penetration which colours the clay. The white/mottled glaze flakes off to leave a matt-white crackled surface
The pieces were fired in an updraught rocket kiln, which is very quick, taking about an hour. The pieces are then put into a dustbin filled with sawdust which provides the smokey reduction atmosphere to turn the unglazed surfaces black
These are the finished pieces
All in all it was a brilliant two weeks, gave me plenty to think about and was a great way to end 6 weeks of electives.
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