Print and collage

Two of my most favourite things.

Put them together and what have you got ...?

... An almost successful set of 4 large prints:-

Print collage 1

Print collage 1 (detail)

 

Print collage 2

Note how the scuffed, grey lithograph workshop floor makes a lovely background to these prints!



Print collage 2 (detail)

 Print collage 3 (detail)

Print collage 3

 Print collage 4 (+ my toes, because for some reason I really like this shot!)

Print collage 4 (detail)

As print collages I don't know if they're that successful but they do express a couple of the ideas of this project; a) my experience and b) the sheer abundance of plant life in the fields where I walk.  In the detail of collage 4 (above) for example I can see an embossed plantain stem, the edge of a drypoint signifying one of the big rocks that stick out of the fields, a soft ground etching of goosegrass, a collograph representing a horsetail and two drypoint maps I drew illustrating the fields themselves and my route through them.











Francesca Samsel

I recently found the work of Francesca Samsel, a printmaker who uses nature and the environment as the inspiration for her viscosity etchings.  She is represented by Davidson Galleries in Seattle (http://www.davidsongalleries.com/) which also has a host of other printmakers and a really good print and contemporary drawings section. 

Here are some of her prints:-

Precipitation, 08.3, 2008



Migration, 05.11, 2005



Specimens, 2004

"My work has always revolved around nature,

man’s impact of the rest of the natural world and the analogies to contemporary life there in.  The physical changes occurring on earth have roots back to the industrial revolution, but the largest fingerprints are from my generation. 

These concerns are amplified when looking at the pictures brought back by the Hubble telescope."

Chocolate from the Equilibrium series, 2010
intaglio, viscosity etching, woodcut


Shaken from the Equilibrium series, 2010
intaglio, viscosity etching, woodcut

I like the fact that she uses various printing techniques
 to build up the work in series and how the
fragments represented combine to make the whole.


http://www.francescasamsel.com/








As promised,

here are some more scans:-

I had some sheets of newsprint that I'd been using for printing and put these as a background for some of the plants.  For some strange reason, they seem to work.

This was an attempt to 'create' a new plant using dead parts of other plants - a theme to be continued in year 3 I think

Let's not mention that 'p' word ...

This is a drawing from my sketchbook superimposed on the photograph of the leaves I drew

For this photograph and the one below I used Photoshop to remove the plants (dandelion and crab apple blossom) and substituted nothing or a black hole where they were

I have a penchant for slow shutter speeds, layering and abstract images at the moment.  I've also fallen in love with the dandelions that are now appearing all over the fields, they are just the most cheerful, beautiful things.  I've been taking lots of close ups and have made a drypoint of a dandelion to use in my final assessment.  It is my most successful print.

Don't ask me about printing - the printing has not been going well.  My many hours in the print studio felt like a waste of paper and ink.  So we'll stick with the photographs and scans for now ...

The Joy of Scanning

I love the scanner.  It's better than a camera sometimes, the images seem to have a greater immediacy.

I've loads more scans to upload which I'll do later this month.

Sketchbook part one

Look at my lovely grasses

I've a beautiful Observer's Book of Grasses and Sedges from the 1960's.  The illustrations are almost as beautiful as the real thing.  In fact, given the way that meadows are disappearing these illustrations might be all that are left ... she writes depressingly.

The descriptions of the plants themselves and their uses are wonderful and hark back to a time when people were glad of the diversity of Nature and used it to the full.

All the grasses and sedges above still grow in the fields where I've based my project.